The look is cool, the vibe is cool, and it's space age garage rock.
That's almost enough right there to make anyone submit. Musically, The She Creatures rock like no one else! The opening "She Creatures Invade" is such a bold statement filled with super beats from Elektra Statik,
interstellar Vox Continental hits, choppy chords, and the chorus "She
Creatures invade! Men, can't be afraid, we'll hypnotize you, yeah, yeah,
yeah!" is more than persuasive, but Nancy Raygun deals the final hypno-ray with her strong vocals that remind one of every tough female lead from Grace Slick to Debbie Harry, but with even greater power and seduction akin to Sharon Tandy's vocal on "Daughter of The Sun" that adds a hint of smoothness and range to the likes of Kate Pierson. If that's not enough, the siren's call of The She Creatures
singing in unison is going to bring one to their knees on the slow
tempo, Motown inspired "Hungry", which is an response equal in musical
chops and garage influences to The Fleshtones "I'm Still Thirsty", complete with Princess Slayer's Vox Contintental organ sweeps.
"Radar"
has has a harder, louder feel with some great guitar riffs and some
handclaps that are long enough to get everyone on their feet. "Moonman"
was so full of great stuff that it's hard to get one's hands around.
At first, a slow, bluesy number that reminds one of "Needles and Pins",
great background vocals, a little bit of "I Wanna Be Your Boyfriend",
some awfully loud guitar, the all too familiar lament of "Show me your
dark side" and the idea of falling in love in a way that everything is
new and full of aching desire and so much unfamiliarity. To expand,
it's that feeling of infatuation with someone one's just starting to
know and therefore, really does come off as someone from another planet.
The closing song "Space Madness" edges towards a sleazy garage punk
song complete with fuzzed out chords and a chorus that's going to get
everyone screaming along, but it's another pure She Creatures anthem that points to their louder, sleazier garage punk sound with Haley Comet playing both bass and a mesmerizing theramin. The She Creatures
have their own theme that permeates these songs as well as their
original '60s sci-fi interplanetary invaders inspired intro and outtro,
but what one really finds is that the music is so good that it's light
years beyond anything. This is Super rock from The Space Age! South by
Southwest had the original intentions of giving exposure to unsigned
acts. Although that message has sharply changed to having a few well
known artists and a strong showing of already signed indie acts who also
deserve more exposure, it's a great way to discover those who you might
not hear of otherwise, so the unsigned acts that often have more talent
and ability than most. This applies to The She Creatures. In fact, this is one act that one should see at least one performance of. As much as we try to remain gender neutral, The She Creatures
display a feminist strength in their persuasiveness and ultimately,
their music that should make both genders think twice about roles. This
is strength, power, dominance, desire, common vulnerabilities that
everyone can identify with, and sex appeal that not only has the
potential to remind women of their own power, but to really put those in
the male category a still needed step down. This is at first alien in
appearance, but is also proof that these invaders studied us less
evolved humans well enough to know how to take us over. Not only do
these vixens from Venus have the look to make everyone submit, but their
music is so powerful that it commands admiration. Prepare to submit,
puny Earthlings! (The Paisley Umbrella)
01 Intro
02 She Creatures Invade
02 She Creatures Invade
03 Hungry
05 Moonman
06 Space Madness
07 Outro
05 Moonman
06 Space Madness
07 Outro
08 The She Creatures - Sexy Robot (Video mpg)

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