The
 Long Blondes' second album, Couples,  avoids the clichéd sophomore 
slump by taking some chances and leaving  behind the joyous clatter and 
clutter of their debut for a more  emotionally powerful, sonically 
adventurous approach. With producer Erol Alkan  behind the boards, the 
group removes the punk from its post-punk sound  and adds more post. 
That is, more icy detachment, more space and careful  arrangement of 
instruments, and more of an eye to the disco-punk  dancefloor. Where the
 songs on Someone to Drive You Home  were almost giddily peppy and 
bursting with energy, the songs here feel  like they were taken right 
from the studio, stored in a freezer for a  month, and then mastered 
onto disc. (Think the Blondie of "X Offender" versus the Blondie  of 
"Heart of Glass" for a quick and relevant comparison.) Even the  songs 
like "Erin O'Connor" that start off with some fire and spunk end  up 
being bathed in atmosphere before too long. While the decision is a  
risky one that might put off fans looking for Someone II
 or a  song as addictive as "Once and Never Again," ultimately it is a 
wise  move that shows a band intent on making interesting albums and not
 just  rehashing the same territory. Not that the group has forsaken 
catchy  tunes or made an unlistenable record. Not by a long shot. There 
are  still plenty of strong melodies and catchy songs to hold on to, 
still  songs you'd want to drop into a playlist -- like the hopeful,  
un-nostalgic "Nostalgia" or "I'm Going to Hell," a stomping rocker that 
 is most reminiscent of the songs on Someone.  "Guilt" is likely the 
song that will stick, riding a funky backbeat and  a hooky chorus deep 
into the memory banks. So, the sound of the album  is arresting and the 
songs are good, but the true star of the album is  vocalist Kate 
Jackson. She showed herself to be quite adept at delivering punky pop 
songs on Someone; on Couples  she blooms into a quite impressive 
interpreter of lyrics. Perhaps her  ability to inhabit different 
characters (like the desperate lover on the  lam on the harrowing "Round
 the Hairpin" or the sad nightclub  philosopher on "The Couples") comes 
from singing guitarist Dorian Cox's  lyrics and not her own (she only 
wrote words for two of the ten  tracks), or maybe she's destined to 
become an actress like her Charlie's  Angels namesake. Either way, she 
makes each song come alive  beautifully, and her alternately tough and 
tender (to the point of  fragile beauty on the heartbreaking "Too Clever
 by Half") vocals help  make the album an impressive triumph over the 
age-old dilemma of how to  follow up a successful debut. It also strikes
 a blow for taking chances  and not resting on your accomplishments, but
 most importantly, Couples is an exciting, challenging listen full of 
brains, daring, and plenty of icy heart. Tim Sendra (All Music Guide)
01 Century
02 Guilt
03 The Couples
04 I Liked The Boys
05 Here Comes The Serious Bit
06 Round The Hairpin
07 Too Clever By Half
08 Erin O'Connor
09 Nostalgia
10 I'm Going To HellBuy it on Amazon!

 
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