The
Long Blondes' second album, Couples, avoids the clichéd sophomore
slump by taking some chances and leaving behind the joyous clatter and
clutter of their debut for a more emotionally powerful, sonically
adventurous approach. With producer Erol Alkan behind the boards, the
group removes the punk from its post-punk sound and adds more post.
That is, more icy detachment, more space and careful arrangement of
instruments, and more of an eye to the disco-punk dancefloor. Where the
songs on Someone to Drive You Home were almost giddily peppy and
bursting with energy, the songs here feel like they were taken right
from the studio, stored in a freezer for a month, and then mastered
onto disc. (Think the Blondie of "X Offender" versus the Blondie of
"Heart of Glass" for a quick and relevant comparison.) Even the songs
like "Erin O'Connor" that start off with some fire and spunk end up
being bathed in atmosphere before too long. While the decision is a
risky one that might put off fans looking for Someone II
or a song as addictive as "Once and Never Again," ultimately it is a
wise move that shows a band intent on making interesting albums and not
just rehashing the same territory. Not that the group has forsaken
catchy tunes or made an unlistenable record. Not by a long shot. There
are still plenty of strong melodies and catchy songs to hold on to,
still songs you'd want to drop into a playlist -- like the hopeful,
un-nostalgic "Nostalgia" or "I'm Going to Hell," a stomping rocker that
is most reminiscent of the songs on Someone. "Guilt" is likely the
song that will stick, riding a funky backbeat and a hooky chorus deep
into the memory banks. So, the sound of the album is arresting and the
songs are good, but the true star of the album is vocalist Kate
Jackson. She showed herself to be quite adept at delivering punky pop
songs on Someone; on Couples she blooms into a quite impressive
interpreter of lyrics. Perhaps her ability to inhabit different
characters (like the desperate lover on the lam on the harrowing "Round
the Hairpin" or the sad nightclub philosopher on "The Couples") comes
from singing guitarist Dorian Cox's lyrics and not her own (she only
wrote words for two of the ten tracks), or maybe she's destined to
become an actress like her Charlie's Angels namesake. Either way, she
makes each song come alive beautifully, and her alternately tough and
tender (to the point of fragile beauty on the heartbreaking "Too Clever
by Half") vocals help make the album an impressive triumph over the
age-old dilemma of how to follow up a successful debut. It also strikes
a blow for taking chances and not resting on your accomplishments, but
most importantly, Couples is an exciting, challenging listen full of
brains, daring, and plenty of icy heart. Tim Sendra (All Music Guide)
01 Century
02 Guilt
03 The Couples
04 I Liked The Boys
05 Here Comes The Serious Bit
06 Round The Hairpin
07 Too Clever By Half
08 Erin O'Connor
09 Nostalgia
10 I'm Going To HellBuy it on Amazon!
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